Documentary film 'The Destruction of Memory' looks at the issue of cultural destruction

Following is a note from Tim Slade about his film project that may be of interest to conservators and those who work with cultural heritage:  

My company, Vast Productions, is producing a documentary film called ‘The Destruction of Memory’, which looks at the issue of cultural destruction and efforts to stem it. The film, based on the book of the same name by Robert Bevan, looks back over the past century at how legislation, policy and awareness have followed behind the path of destruction, and focuses its lens in particular on Bosnia, and recent and ongoing narratives in Mali, Egypt, Syria and Iraq.

Interviewees include architect Daniel Libeskind, ICC Prosecutor Bensouda, former MINUSMA Head and current Dutch Foreign Minister Bert Koenders, ICTY Expert Witness András Riedlmayer, and with recent interviews of Corine Wegener of the Smithsonian Institution, Amr Al-Azm of Shawnee State, and other key players in current efforts in the Middle East.

We are currently running an Indiegogo campaign to complement broadcaster and other funds, and it would be great if you can spread the work. This is a project we are very passionate about. Our team are highly experienced, and have worked on documentaries that have screened at festivals like Sundance, and been nominated for and won Academy Awards.

Our fundraising page is here: https://www.indiegogo.com/projects/the-destruction-of-memory–2

 Our Facebook page is here: https://www.facebook.com/destructionofmemory

 Thank you,

Tim Slade

Vast Productions, New York

Job Posting: Mellon Postgraduate Fellowship in Costume and Textile Conservation – Philadelphia Museum of Art (Philadelphia, PA)

MELLON POSTGRADUATE FELLOWSHIP IN COSTUME AND TEXTILE CONSERVATION – PHILADELPHIA MUSEUM OF ART
The Philadelphia Museum of Art is offering an Andrew W. Mellon Postgraduate Fellowship in Costume and Textiles Conservation, beginning September 1, 2015 and ending August 31, 2016. The Fellowship may be extended up to three years. The applicant should be a graduate of a recognized conservation training program or have equivalent experience. The Fellow will examine, conduct research, and perform treatment on costumes, accessories and textiles in the Museum collections and will participate in preservation activities throughout the Museum, including exhibitions and storage.
The Fellowship will include the conservation of European and American costume and needlework as well as the museum’s extensive collections of South Asian and East Asian textiles, contemporary fiber, craft, traditional tapestry, and carpets.  The Fellow will work with the two staff conservators in the state-of-the art laboratory.
Each fellowship includes a stipend of $35,198, health insurance, $3,000 in travel funds and $2,000 for research support. Applications should be sent electronically and include: pdf files containing statement of interest, resume, transcripts of graduate courses, and four examples of examination reports and treatment records with photographs.
Please include any published treatments or research. For electronic submissions please use a file sharing service (such as DropBox or WeTransfer) to gdiefenderfer@philamuseum.org.
Confidential supporting letters from two conservation professionals familiar with the candidate’s work should be sent directly by the referee to:
Sara Reiter, Senior Conservator of Costume and Textiles,
Philadelphia Museum of Art,
P.O. Box 7646,
Philadelphia, PA  19101-7646.
sreiter@philamuseum.org
All application materials must be received by February 15, 2015. EOE Receipt of application will be confirmed by e-mail.
Chris Wasson
Conservation Administrator
Philadelphia Museum of Art
215-684-7542
cwasson [at] philamuseum_org

Job Posting: Conservator for Special Collections – Duke University Libraries (Durham, NC)

Conservator for Special Collections
The Conservator for Special Collections plans and carries out the physical treatment of special collections material from the Duke University Libraries including those from the Rubenstein Rare Book and Manuscript Library, Duke University Archives, and branch libraries. This position reports to the Head, Conservation Services Department (CSD).
Responsibilities
Conservation (80%)

  • Works with the department head and appropriate conservation and library staff to develop treatment strategies for special collections materials. Coordinates treatments and priorities with the Head of CSD.
  • Performs appropriate conservation treatments on library materials held in the Libraries’ rare and special collections in support of various workflows including those for Rubenstein Library User Services and Technical Services, the Digital Production Center, and the Exhibits Program. Scope of work includes treating primarily bound and unbound books, manuscripts and other documents on paper and vellum. Depending on the conservator’s expertise the scope may also include treating photographs, papyri, and other formats and substrates found in the collections. Documents treatments with photographs and written reports following CSD and American Institute for Conservation (AIC) guidelines and best practices.
  • Identifies items for which protective enclosures will be the most effective preservation option; constructs appropriate protective enclosures or delegates the construction of enclosures to other staff, students or volunteers.
  • Other related duties as assigned.

Departmental Support and Programming Initiatives (10%)

  • Participates in planning and setting goals, managing projects and developing workflows in support of CSD priorities.
  • Assists in providing disaster recovery services for library materials.
  • Other related duties as assigned.

Professional Development (10%)

  • Actively participates on appropriate Library committees, task forces or groups to meet the strategic goals of the Department and the Duke University Libraries.
  • Displays continuing growth in professional and subject knowledge and takes an active interest in the profession. Growth and interest should be demonstrated through continuing development of professional knowledge and abilities, membership and participation in professional organizations, and service to the library, University, or community in a professional capacity.

Supervisory Responsibilities

  • Provides training, supervision and quality control for students, staff and volunteers in coordination with the department head and/or senior conservator.
  • May serve as interim supervisor in the absence of the department head and senior conservator.

Qualifications
It is the expectation that all Duke University Libraries staff members will demonstrate exceptional workplace behaviors in the execution of their specific position responsibilities. These behaviors are customer focus, collaboration, creative problem solving, continuous learning and a commitment to diversity.
Education:
Required: ALA-accredited MLS or Master’s degree in conservation of library and archival materials, or demonstration of a similar level of education and training required for the conservation of rare materials.
Preferred: Demonstrated record of continued education in areas relevant to this position.
Experience:
Required:

  • Minimum of three years of demonstrated experience in conservation of special collections and knowledge of current conservation principles, practices, and procedures.
  • Exceptional manual skills and a full understanding of current conservation theory, principles, practices and procedures.
  • Knowledge of physical and chemical mechanisms of deterioration of library materials.
  • Knowledge of conservation ethics and practices relevant to research library materials; commitment to AIC standards of practice and Code of Ethics.
  • Demonstrated ability to work independently and productively in a changing environment.
  • Strong organizational, interpersonal, and oral and written communication skills.

 Preferred:

  • Prior experience working in an academic research library or archives.
  • Prior experience supervising conservation technicians and students.
  • Expertise in the treatment of photographic materials; works on art on paper, vellum and parchment; or similar cultural heritage materials generally found in academic libraries and university archives.
  • Experience evaluating and treating materials to prepare them for digital imaging and/or exhibitions.
  • Experience in exhibitions including preparation, installation, materials testing and environmental monitoring.
  • Teaching experience.

For a complete job description including directions for applying, please see:
 
http://library.duke.edu/about/jobs/conservator

Job Posting: Marine Archaeological Conservator – Odyssey Marine Exploration, Inc. (United Kingdom)

MARINE ARCHAEOLOGICAL CONSERVATOR
Position Summary:
This position is a UK based independent contractor role to document and conserve both organic and inorganic artefacts recovered from a marine archaeological environment for storage, research and exhibition. Artefacts recovered will cover a broad range of material including large bronze cannon. The successful candidate will work under and report to the Project Conservator.
The successful candidate will follow up on conservation treatments and apply policies and industry standards.
The position offers an opportunity to engage in high-status material culture conservation from excavation to storage or display. Interventive conservation documentation may lead to publication
Duties and Responsibilities:

  • Liaises closely with and follows conservation strategy laid out by the Project Conservator.
  • Maintains and manages laboratory equipment, tools and supplies, including handling hazardous substances.
  • Applies conservation methods to stabilise artefacts.
  • Conducts condition assessments.
  • Records results in digital form.
  • Carries out and facilitates conservation duties that include integrated environmental monitoring.
  • Coordinates and liaises with stakeholders for appropriate treatment for artefacts.
  • Documents artefact condition and treatments before and during conservation.
  • Conducts research and analyses where necessary.
  • Collaborates with other conservation professionals of relevant expertise, where necessary.
  • Provides support in outreach programmes and supports tour visits.

Knowledge, Skills & Abilities:

  • Confident self-starter capable of working both as part of a multi-disciplinary team and independently.
  • Good common sense based on past experience to identify problems and solutions.
  • Ability to put forward own ideas confidently.
  • Shares results and information with various stakeholders.

Strong organisational skills highlighted by the following attributes: client focused, efficient and capable of working under pressure to deadlines, proactive, excellent multi-tasking capabilities and communication skills, strong priority and time management skills, ability to respond to special projects on a short notice.
Education:

  • Relevant degree of MA level or comparable experience in archaeological or marine archaeological conservation.
  • Proven experience in internships and apprenticeships in museums/conservation.
  • Industry standard qualifications

Location: United Kingdom
Position Type: Contractor, reports to Project Conservator and Director of Research & Scientific Services
Additional Information:  To apply for the position or obtain additional information, send a cover letter along with a resume or Curriculum vitae to:  JohnOppermann@odysseymarine.com.  No telephone calls please.
Odyssey Marine Exploration, Inc. is an Equal Opportunity Employer/Affirmative Action Employer – Minorities / Women / Veterans / Disabled.

Job Posting: Conservator for Asian Art – Newark Museum (Newark, NJ)

E. Rhodes and Leona B. Carpenter Foundation

Conservator for Asian Art

 
Position Summary:
The Newark Museum seeks a full-time conservator for a two-year minimum posting to oversee the conservation of the Museum’s Asian collections, one of the larger and finest collections of Asian art in the United States. The Conservator for Asian Art oversees the safekeeping, proper installation and conservation of all Asian works in the Newark Museum’s permanent collection (approximately 30,000 works). The conservator also assists with processing potential out-going loan requests with regard to their physical condition, potential treatment and recommendations and/or oversight of appropriate packing/crating.
The successful candidate will have at a minimum a Master’s Degree and three years’ experience as a conservator, a record of successful treatments and proven ability as a manager. Working closely with the curatorial, registration and exhibitions department, s/he will have the reputation and skills to build partnerships. The individual will be able to coordinate outside contract conservators where the work required is beyond their own area of expertise. The conservator will report to the Curator for the Arts of Asia and work closely and collaboratively with the registrar, collections manager and exhibitions department as well as with colleagues throughout the Museum and its contractors.
Duties and Responsibilities:

  • Design, oversee and implement the appropriate re-housing of selected groups of objects—particularly the Museum’s collections of Asian costumes and textiles and arms and armor (approximately 4,000 objects)
  • Assess and where applicable treat or oversee treatment of works identified for exhibition and loans
  • Develop and assist implementation of best practices for conservation treatment, presentation and the installation of works of art
  • Provide expert opinion about the condition of proposed acquisitions
  • Supervise qualified conservation or museum studies interns that will assist and enhance their own work
  • Work as a team member with Museum curators, registrar, collections manager, exhibition designer, mount-maker, educators, development and staff

Qualifications:

  • M.A. in conservation or equivalent degree preferred
  • Three or more years experience working in the field
  • Proven record of successful treatments
  • Knowledge of materials and ability to advise on collections care and treatment strategies
  • Knowledge of Word, Outlook (e-mail), Excel, PowerPoint and basic office software; knowledge about ARGUS database a plus.
  • Strong communication, managerial and diplomatic skills

TO APPLY,
SEND CURRICULUM VITAE AND COVER LETTER TO:
Human Resources
Newark Museum
49 Washington Street
Newark, NJ 07102
Fax: 973.642.0459
Email: humanresources@newarkmuseum.org
The Newark Museum is an equal opportunity employer.
Please be advised that only those candidates whose qualifications meet the requirements of the position will be contacted.
 
Closing date: January 16, 2015
 

CIPP Annual Meeting Program

The CIPP Specialty Group Board is pleased to announce our program for the AIC 43rd Annual Meeting in Miami on May 13-16, 2015. CIPP will be sponsoring and co-sponsoring three events intended to appeal to the wide spectrum of our membership. Members are also invited to attend the Business Meeting (Wednesday, May 13; 8:30pm) to discuss future programming and meet your CIPP leadership–your feedback and participation is important to us! Register by December 31st to take advantage of Early Bird rates.
CIPP Seminar: Practical Solutions for Running a Successful Business
Wednesday, May 13; 11am-3pm
$39 (CIPP Members); $79 (non-members); Includes boxed lunch
This workshop will focus on three main areas of running a successful private practice: accurate estimating, streamlined documentation and billing, and outreach and marketing. The workshop will include ample time for questions and attendee participation. It is intended for both established and emerging conservation professionals. Future CIPP webinars on all three subjects are planned as a follow-up to enhance the learning process.
CIPP/ECPN Discussion Panel and Happy Hour
Wednesday, May 13; Program: 4 – 6 pm; Happy Hour 6 – 8 pm
This joint event with the Emerging Conservation Professionals Network (ECPN) will feature a panel of speakers, both established and emerging conservators in private practice, who will discuss the benefits, challenges and fine points of establishing a private practice as an emerging conservator. After an initial set of moderated discussion topics, there will be time for questions and comments from the audience. The discussion panel will be followed by the annual ECPN Happy Hour, allowing attendees to continue conversations and network in a less formal setting.
CIPP/H&S Lunchtime Lecture: Studio Design Challenges–Creating a Safe and Practical Space
Thursday, May 14; noon – 2:00 pm
$10 (CIPP Members); $25 (non-members); Includes boxed lunch
Led by architects and engineers from EwingCole, who specialize in designing cultural heritage facilities, this session will review priorities and set realistic goals for improving common, at-hand work spaces ranging from in-home studios to larger rented commercial spaces. Case studies of real-world studios will be reviewed in a candid discussion that identifies what’s working well and what can be changed to improve safety and predictability. Extended Q&A, plus Meet the Expert stations, will allow attendees to actively participate in the discussion and seek advice on mechanical, HVAC and fire protection engineering, building codes and architectural design.

40th International Symposium on Archaeometry

The 40th International Symposium on Archaeometry (ISA) was held earlier this year in Los Angeles (May 19-23, 2014). The first two days of the conference took place at the Getty Villa, and was then moved to the California NanoSystems Institute (CNSI), UCLA for the remainder of the symposium. There were over 300 scholars and students from all over the world who took part in the conference, with diverse research backgrounds including archaeology, conservation science, art history, materials science and engineering, chemistry, geoscience, and physics.
The symposium covered the following major sessions: “Stone”, “Plaster and Pigments”, “Ceramics, Glazes, Glass and Vitreous Materials”, “Metals and Metallurgical Ceramics”, “Archaeochronometry and New Trends in Luminescence Dating”, “Human Environment and Bioarchaeology”, and “Remote Sensing, Geophysical Prospection and Field Archaeology”. Many important and new research results were presented during the talks followed by Q&A sessions and panel discussions. Over 200 posters were presented at the Getty Villa and UCLA during four poster sessions related to the different session themes.
Two keynote presentations were given during the symposium. Dr. Ian Freestone (Institute of Archaeology, UCL) gave a talk on the use of different archaeometric methods and techniques to identify and determine production events and provenance the organization of production of archaeological materials. During his talk, he presented several interesting case studies on ceramics, glass and metals, which were very informative and instructive. Dr. Terry Brown (Faculty of Life Sciences, University of Manchester) reviewed the history of ancient DNA (aDNA) research in biomolecular archaeology. In addition to successful case studies where aDNA sequencing was applied to ancient human remains, he also discussed the current limitations and challenges of this research, as well as future trends.
For the first time at the symposium, a themed session on “Forensic Science Investigations in Art and Archaeology”, chaired by Dr. Ioanna Kakoulli (UCLA/Getty Conservation Program and Materials Science and Engineering Department at UCLA) was introduced. This special session focused on the challenges and technological difficulties pertaining to forensic science investigations in art and archaeology. Topics covered included the recovery of artifacts, the criminal investigation associated with looted artifacts requiring material characterization, identification and provenance of looted objects, and repatriation of looted antiquities. Agnieszka Helman-Wazny (University of Arizona) talked about the use of fiber analysis to trace manuscripts with unknown origins from the Silk Road. Patrick Boehnke (UCLA) presented preliminary results on the use of strontium isotopic and elemental analysis by secondary ion mass spectrometry (SIMS) to help the Dept. of Homeland Security provenance looted glass artifacts with unknown origins and heterogeneous compositions. Dr. Ernst Pernicka (Curt-Engelhorn Zentrum Archäometrie and University of Heidelberg) gave a talk on the analysis and authentication of the Sky Disc of Nebra through various scientific methods and approaches. Dr. C. Brian Rose (University of Pennsylvania) reviewed the case of the Troy gold in the Penn Museum for which a repatriation claim was filed by Turkey. Lastly Dr. Timothy Potts (J. Paul Getty Museum) gave a thorough review on the evolution, over recent decades, of U.S. museum practices and policies relating to the acquisition of antiquities, as well as the issues of authenticity and conservation analysis that are involved. Unlike other sessions at ISA, the forensic science session did not have a Q&A at the end of each talk but instead held a panel discussion with all five presenters and the session organizer/moderator. One of the more lively discussions focused on the analysis of archaeological objects from collections with little or no provenance. A debate arose as to the value of analyzing these materials that lacked archaeological context. Issues with the authentication of antiquities without context were also brought up, as well as the role this analysis plays in the looting of artifacts and the illicit antiquities trade.
forensic symp.
Though there was no session specifically focused on topics related to conservation and preservation, there were many papers of interest to those in our field. The North American conservation graduate programs were also well represented. Faculty, conservation students and researchers affiliated with the UCLA/Getty Conservation Program (https://uclagettyprogram.wordpress.com/2014/05/19/isa-2014/), Buffalo State College (http://artconservation.buffalostate.edu/publications), WUDPAC, and Queen’s University presented papers and posters, and moderated sessions. The abstracts of all the ISA presentations can be found here: http://www.archaeometry2014.com/wp-content/uploads/2014/05/ISA-2014-Program-and-Abstracts-Book-Online.pdf
ISA 2014 introduced attendees to many interesting topics related to the analysis of archaeological objects and archaeological research. The most recent key breakthroughs in archaeological science were presented. Fruitful discussions on current limitations and challenges were conducted, and innovative ideas on future research trends were exchanged. The symposium provided an open and friendly panel for scholars and students from different research backgrounds and countries to participate and communicate in this interdisciplinary field of study.
The next ISA conference will take place in the spring of 2016 in Kalamata, Greece offering a beautiful and relaxing place (by the seaside) to learn about the latest archaeometric research. We hope to see you there!
co-written by Yuan Lin (PhD Candidate, Materials Science & Engineering, UCLA) and Vanessa Muros (Conservation Specialist/Lecturer, UCLA/Getty Conservation Program)
This post was developed by the AIC’s Archaeological Discussion Group (ADG). For more information about ADG, please visit ADG’s Facebook page.