PBS NewsHour new series: “Culture at Risk”

PBS NewsHour examines how development will impact Myanmar’s architectural & archaeological heritage in the first of a new series: “Culture at Risk”
Tuesday, April 15, 2014
“Culture at Risk” will explore the impact of war, climate change, neglect and more on cultural artifacts around the world.

Rush hour in downtown Yangon means commuters jam small motor boats to cross the Yangon River. Photo by Mary Jo Brooks/PBS NewsHour

For years, the people of Myanmar were cut off from the rest of the world, isolated by strict military rulers. But a recent cease fire has ushered in a period of calm, which is opening up the country and creating new opportunities. Many in Myanmar are eager to embrace the modern world, but others worry that its cultural heritage may be lost in the rush to modernize. As part of the new series, “Culture at Risk,” Chief Correspondent for Arts, Culture & Society Jeffrey Brown explores Myanmar’s efforts to preserve the colonial-era architecture of Yangon and restore the Buddhist architecture in Bagan all while building a 21st century future – Tuesday, April 15th, 2014 (check local listings).
Brown takes viewers through the grand buildings of downtown Yangon, hearing from Thant Myint-U, the founder and chairman of the Yangon Heritage Trust. “What we have now is a physical landscape that’s starting to change,” Thant Myint-U says, “but also this opportunity to remember this history, and to try to begin to save what we can, before it’s too late.” The pressure comes as outside investment flows into the country and all the benefits and ills of urban development begin to play out. Yangon’s population is expected to quadruple in the next twenty five years and, as developer Moe Zat Mone relays, “[w]e need more infrastructure, more hotels, hospitals, and more service apartments and office rentals.” Brown concludes his report among the archeological wonders of Bagan, the site of what’s said to be the highest concentration of Buddhist architecture of any place in the world, where balancing the demands of tourism and preservation raises additional questions for Myanmar’s future.
Online:
– Jeffrey Brown and Thant Myint-U take an extended video tour through a neighborhood with colonial-era architecture.
– A slide show about Bagan, the capital of a former Burmese Kingdom and said to contain the highest concentration of Buddhist architecture of any place in the world.
“Culture at Risk”
The NewsHour’s reporting from Myanmar is the first in a series of wide-ranging reports, titled “Culture at Risk”, that will explore both problems and solutions to visual arts that are in danger of being lost. Each installment will be led and reported by Chief Correspondent for Arts, Culture & Society Jeffrey Brown.
“Culture at Risk” will explore threats to cultural artifacts that include war, natural disasters, demographic and technological change, evolving artistic and architectural sensibilities, environmental degradation and climate change, and other factors. The series will connect news developments involving art and culture, examining the intersection of public policy and the arts, as well as decision-making around preservation and payment for the arts. Taken together, the series is intended to present a portrait of the many ways that culture is at risk while also capturing a range of ongoing and potential responses.
Read more: Is culture at risk in Myanmar? BY JEFFREY BROWN
PBS NewsHour’s “Culture at Risk” coverage is funded by the J. Paul Getty Trust.
The J. Paul Getty Trust is a cultural and philanthropic institution dedicated to critical thinking in the presentation, conservation, and interpretation of the world’s artistic legacy. Through the collective and individual work of its constituent Programs—Getty Conservation Institute, Getty Foundation, J. Paul Getty Museum, and Getty Research Institute—it pursues its mission in Los Angeles and throughout the world, serving both the general interested public and a wide range of professional communities with the conviction that a greater and more profound sensitivity to and knowledge of the visual arts and their many histories are crucial to the promotion of a vital and civil society.
PBS NewsHour is seen by over four million weekly viewers and is also available online, via public radio in select markets and via podcast. The program is produced with WETA Washington, D.C., and in association WNET in New York. Major corporate funding for PBS NewsHour is provided by BAE Systems, BNSF and Charles Schwab with additional support from the Corporation for Public Broadcasting, Carnegie Corporation of New York, the J. Paul Getty Trust, the William and Flora Hewlett Foundation, the John D. and Catherine T. MacArthur Foundation, National Science Foundation, the Alfred P. Sloan Foundation, Friends of the NewsHour and others.

Call for Participants: Blue Star Museums Program

The following message is posted on behalf of Wendy Clark, the Acting Director of Museums, Visual Arts & Indemnity for the National Endowment for the Arts.
NEA BlueStar
I’m writing to ask you to help us spread the word about the Blue Star Museums Program, which invites museums to offer free admission to active duty military personnel and their families during the summer. Last summer we surpassed our goal of 2,000 participating museums, and were proud that more than 700,000 military personnel and their families were treated to outstanding museum experiences. It may be that your institution/museum is already registered, but I felt compelled to try to spread the word to as many people as possible.
We hope it might be possible for your museum to participate, if so follow this link to sign up online. Even if your institution is already offering a similar program or already offers free admission to all, registering as a Blue Star Museum provides a national platform to showcase your museum to the military community.
If you have any questions please e-mail bluestarmuseums@arts.gov
Sincerely,
Wendy Clark
Acting Director of Museums, Visual Arts and Indemnity
National Endowment for the Arts

ECPN Updates: Spring 2014

Wondering what the Emerging Conservation Professionals Network (ECPN) has been up to for the past few months? Check out updates on a selection of our projects:
Liaison Program
To form a connected community of emerging conservation professionals, ECPN has an active liaison program that features regional liaisons throughout North America, as well as Graduate Program liaisons, and Specialty Group liaisons.
The Regional Liaisons represent pre-program students and post-graduate professionals from specific geographic regions. Anyone who is committed to serving as the voice for emerging conservators (EC) is welcome to become a regional liaison. The Liaison’s main responsibility is to act as the link between ECPN and EC’s in their area — to inform ECPN of EC interests and concerns, offer suggestions, and disseminate ECPN information. To help build their regional community, the liaisons are encouraged to organize local events. This year, ECPN has created a Regional Liaison Toolkit with examples of activities and advice on how to reach out to EC’s. These activities range from museum and conservation lab visits, to “Angel’s Projects,” to Happy Hours.
Liaison Activities
Regional and Specialty Group liaisons participated in the bimonthly ECPN conference call on March 12th. During the call, regional liaisons asked questions on behalf of emerging conservation professionals in their area, especially regarding the upcoming lunchtime networking event at the Annual Meeting. Several reported on activities that they have been holding in their respective cities, including happy hours, discussions about advocacy, and viewings of the film Monuments Men. Many liaisons utilize the active ECPN Facebook page to initiate and plan activities, while some have created their own regional pages. If you have not connected with your regional liaison, and if you are not on Facebook, please write to the ECPN Chair at the email address below to obtain information on your region.
2013-2014 Regional Liaisons:
Arizona (Phoenix/Tucson): Crista Pack, Skyler Jenkins
California (LA/Berkeley/San Francisco): Amanda Burr, Rio Lopez, Alexa Beller
Colorado (Denver): Courtney VonStein Murray
Florida: Kimberly Frost
Illinois (Chicago): Melina Avery
Indiana (Indianapolis): Rebecca Shindel
Iowa (Iowa City): Jessica Rogers
Massachusetts (Boston): Christian Hernandez, Mayasara Naczi
Minnesota (Twin Cities): Amber Kehoe
Missouri (St. Louis): Jackie Keck
New England (Burlington, VT): Emily Gardner Phillips
New York (New York City): Julia Sybalsky, Jessica Pace
Ohio (Cincinatti): Ashleigh Scheiszer
Pacific Northwest (Kirkland/Seattle, WA): Emily Derse Pellichero, Lisa Duncan Goedecke
Pennsylvania (Philadelphia): Sara Levin
South Carolina (Columbia): Jennifer Bullock
Texas (Austin/Houston/Houston): Sarah Hunter, Erin Stephenson, Gabriel Stephanie Dunn
Graduate Program and Specialty Group liaisons serve as links between ECPN and the groups that they represent. They also keep us informed of emerging conservator interests and concerns, and help to disseminate ECPN information, but are not expected to organize events. Below is our current list of graduate program liaisons. Our list of specialty group liaisons currently is being updated.
2013-2014 Graduate Program Liaisons:
Buffalo State College: Christina Taylor
Columbia University: Melissa Swanson, Beata Sasinska
New York University: Desi Peters
Queen’s University: Samantha Fisher, Marie-Lou Beauchamp
University of California, Los Angeles (UCLA): Currently no liaison
University of Texas School of Architecture (UTSOA): Sarah B. Hunter
University of Delaware (WUDPAC): Michelle Sullivan, Jacinta Johnson
The regional liaison list will continue to be updated throughout the year. To connect with your liaison, or if you do not see your region listed and would like to be a regional liaison, please contact ECPN Outreach Officers, Carrie McNeal (clinnmcneal [at] gmail [dot] com) or Saira Haqqi (haqqis [at] gmail [dot] com).
Public Relations (PR) Toolkit
A Public Relations Toolkit is being developed on the AIC Wiki to provide tangible resources for AIC members to use when speaking about and promoting conservation. These tools will offer information about direct communication with the public and the press, using both traditional and social media outlets. It is anticipated that these resources will assist AIC members working in institutions of all sizes and scope as well as those working in private practice in advocating for conservation and raising awareness of our field. This year, ECPN hopes to begin migrating information gathered on the AIC Wiki to downloadable documents that AIC members can easily access and use, and to continue to identify areas of development. This is a collaborative project and the final product will greatly benefit from participation from many different members of AIC. To see the PR Toolkit progress thus far, visit the AIC Wiki page on “Public Relations and Outreach Resources,” organized under the “Work Practices” category.
For more information or to share ideas, please contact ECPN Chair Eliza Spaulding (elizaspaulding [at] gmail [dot] com).
Mentoring Program
ECPN is working to develop a self-matching tool for AIC members through the new on-line Member Directory. This self-directed tool will allow both mentors and mentees to publish their interest in the mentoring program via their directory profile and to search potential matches according to shared professional interests, geographical location, and specialty.
Upcoming Webinars
ECPN currently is developing two webinars for the spring and summer, which are open to all AIC members. Stay tuned for details on the date and time of each program:
– Outreach and advocacy in late April: An introduction and overview of outreach and advocacy strategies for conservators at all stages of their professional development. Our scheduled speakers include three conservators who have engaged in this topic in unique ways: Teresa Myers, who participated in Museum Advocacy Day on Capitol Hill; Sarah Barack, co-chair of AIC’s K-12 Outreach Group; and Richard McCoy, who has created a number of innovative web projects that highlight the work of conservators.
– Pre-program experience in July: A conversation with representatives from the North American graduate training programs in conservation on making the most of your pre-program experience and representing them effectively during the graduate application process.
Recent Emerging Conservation Professional Discussions
In addition to providing a forum for emerging conservation professionals to connect, the ECPN Facebook page has also recently been a site for discussion of issues currently affecting post-graduate conservators. ECPN welcomes these discussions and invites conservators at all career stages to participate in them.
Questions about the mission of ECPN? Read our recently revised charge on ECPN’s page on the AIC website. ECPN also has a flier available for use at meetings and events that explains and promotes the network. To access the flier, please write to the ECPN Chair at the email address below.
Thoughts and comments about any of the above information can be sent to ECPN Chair, Eliza Spaulding, at elizaspaulding [at] gmail [dot] com.

Call for Chapter Proposals: Disaster Management and Contingency Planning in Modern Libraries

CALL FOR CHAPTER PROPOSALS

Proposal Submission Deadline: May 30, 2014

Disaster Management and Contingency Planning in Modern Libraries

A book edited by

Emy Nelson Decker (AUC-Robert W. Woodruff Library)

Jennifer Townes (AUC-Robert W. Woodruff Library)

To be published by IGI Global: http://bit.ly/1fOOCfT

For release in Advances in Library and Information Science Book series

ISSN: 2326-4136

The Advances in Library and Information Science Book Series aims to expand the body of library science literature by covering a wide range of topics affecting the profession and field at large. The series also seeks to provide readers with an essential resource for uncovering the latest research in library and information science management, development, and technologies
Introduction
Library and archives disaster planning and contingency management go by many names: emergency planning, risk assessment, business continuity, etc. Awareness has increased over the past fifteen years, and now disaster planning is an ever-growing presence in modern consciousness. Any type of contingency planning for libraries is important because we are building more and more evidence that preparedness is possible, even if prevention is not. In general, anything involving extensive damage to the collections falls into the “disaster” category. However, it is important to draw a distinction between small-scale disasters, such as a burst pipe, and large-scale disasters, such as a category 5 hurricane. A naturally occurring disaster is an act of nature (tornadoes, hurricanes, earthquakes), as opposed to an anthropogenic disaster, which is caused or produced by humans (war, censorship, arson). The myriad ways in which we define disaster indicate our inability to predict them, and therefore we will never be able to prevent them. What we can do is prepare the one variable we do have control over: ourselves. By exploring disasters of different scale and devastation, we can begin to develop more complete and efficient disaster plans for our cultural institutions.
The literature about disaster planning has not given close examination to the different types of disasters to befall libraries, thus this book is based on emerging research and events exemplified by case studies. Contributions to this edited volume will explore libraries impacted by disasters of different scales, ranging from small to catastrophic and disasters of different types, from naturally occurring to anthropogenic.
Objective of the Book
This compendium of emerging research about disaster mitigation and contingency planning will better inform disaster planning at the design level. Additionally, this book will serve as a resource for those who have already experienced disaster and the ideas put forth will potentially spur positive change in organizational culture. This book will investigate the impact of large and small scale disasters — both anthropogenic and natural in origin — on libraries. Readers will learn from the experiences of others, expand their definition of disaster, and create or redesign their own disaster plans.
Target Audience
Our publication will benefit librarians, library staff, archivists, curators, students, local/state/national disaster preparedness professionals, private collectors, and corporations which store/archive collections.
Recommended topics include, but are not limited to, the following:
Contributors are welcome to submit chapters on the following topics relating to library disaster management and contingency planning:

  • Disaster management and contingency planning in libraries
  • Changes to disaster planning and recovery post-2000
  • Library safety measures
  • Changes to library materials conservation and restoration post-2000
  • Emerging disaster management theory
  • Emerging contingency planning theory
  • Lessons learned from small scale disasters (broken pipes, fires, vandalism, storms, etc.)
  • Lessons learned from large scale disasters (September 11th, Hurricanes Katrina and Sandy, the Indonesian tsunami, Typhoon Haiyan, the Haitian earthquake, etc.)
  • Social implications of disaster preparedness and management
  • Public, academic, and private libraries and archives experiences with disaster of any scale
  • Naturally occurring disasters
  • Anthropogenic disasters
  • Challenges/crises not commonly included in disaster plans
  • Financial disaster planning (recession, staff cuts, effect on digital projects, etc.)
  • Electronic backup failure (loss of backup servers, born-digital data, electrical surges, etc.)

Submission Procedure
Researchers and practitioners are invited to submit on or before May 30, 2014, a 2-3 page chapter proposal clearly explaining the mission and concerns of his or her proposed chapter. Authors of accepted proposals will be notified by July 30, 2014 about the status of their proposals and sent chapter guidelines. Full chapters are expected to be submitted by September 30, 2014. All submitted chapters will be reviewed on a double-blind review basis. Contributors may also be requested to serve as reviewers for this project. Proposals should be submitted through the link at the bottom of this page.
Publisher
This book is scheduled to be published by IGI Global (formerly Idea Group Inc.), publisher of the “Information Science Reference” (formerly Idea Group Reference), “Medical Information Science Reference,” “Business Science Reference,” and “Engineering Science Reference” imprints. For additional information regarding the publisher, please visit www.igi-global.com. This book is anticipated to be released in 2015.
Important Dates
May 30, 2014:                                    Proposal Submission Deadline
July 30, 2014:                                     Notification of Acceptance
September 30, 2014:                    Full Chapter Submission
November 30, 2014:                     Review Results Returned
February 15, 2015:                          Final Chapter Submission
 
Inquiries can be forwarded to

Emy Nelson Decker and Jennifer Townes

Atlanta University Center – Robert W. Woodruff Library

111 James P. Brawley Drive SW, Atlanta, GA 30314

Tel.: (404) 978-2087, (404) 978-2053

E-mail: edecker@auctr.edu, jtownes@auctr.edu

Propose a chapter here
To find related content in this research area, visit InfoSci®-OnDemand:
Download Premium Research Papers
http://www.igi-global.com/infosci-ondemand/search/
 

Senior Project Specialist (Built/20th-century Heritage), Getty Conservation Institute

The Getty Conservation Institute (GCI), located at the Getty Center in Los Angeles, California, works internationally to advance conservation practice in the visual arts—broadly interpreted to include objects, collections, architecture, and sites. The Institute serves the conservation community through scientific research, education and training, model field projects, and the dissemination of the results of both its own work and the work of others in the field.
The GCI Field Projects Department is seeking a Senior Project Specialist (Built/20th-century Heritage).
The Field Projects Department’s objectives are:

  • Advance conservation practice through the development and implementation of model projects which incorporate strong research, planning and educational objectives.
  • In all projects, develop strong collaborative relationships so as to build local expertise, ensure sustainability, evaluate work in progress and broadly disseminate information resulting from projects.
  • Disseminate our findings through professional publications and conferences; and contribute to the advancement of the field of conservation through the organization of seminars, symposia and workshops.

 
Overview: Explores, develops and manages potential projects that address thematic areas in the context of conservation of twentieth-century heritage and specifically modern architecture. This includes designing, implementing and monitoring projects that apply and test new research and practical approaches. Demonstrates a broad knowledge of the issues and best practices associated with the conservation and management of historic buildings and sites, specifically twentieth-century heritage. Provides advice and guidance about these issues to staff from other departments of the GCI.
Responsibilities:  Conducts needs assessments, identifies strategic issues, develops, interprets, communicates and executes project plans and budgets to meet international needs. Provides direction to project staff, external partners and consultants related to built and urban heritage. Undertakes research, teaches, writes, publishes or presents results at professional venues.
Qualifications: 7-10 years combined practical and management experience in the areas of either architecture and historic building technologies, urban planning and preservation. Master’s degree or equivalent graduate education in architecture or architectural conservation. Knowledge and demonstrated engagement in conserving twentieth-century heritage also required. Must be adaptable, analytical, a positive problem-solver and a creative thinker. Skill and experience in designing, initiating and managing projects with multi-disciplinary teams is essential. Experience in working in broad contexts including the international sphere an advantage. Knowledge of the international organizations working in the fields of twentieth-century heritage needed. Excellent oral and written communication skills are also necessary. Must be available for frequent international travel. An ability to read, write and speak a foreign language is preferred.
An excellent benefits package and salary commensurate with experience will be provided. International candidates welcome. EOE
To apply, please see:  https://jobs-getty.icims.com/jobs/2206/job.  All applicants should be prepared to upload a cover letter and curriculum vitae as a single file (either a PDF or a Word document) when prompted to upload a Resume online. Candidates who successfully complete the online application process will receive an automated message from “autoreply@icims.com”.  If you have specific questions about the Senior Project Specialist (Built/20th-century Heritage) position, please email gcistaffing@getty.edu. Deadline for applications is May 9, 2014.
Updated: March 31, 2014

Architectural and Sculpture Conservator, Kreilick Conservation, LLC

Architectural and Sculpture Conservator

Kreilick Conservation, LLC, is a private firm specializing in the conservation of architecture,
sculpture, monuments, industrial artifacts, and objects.  We are seeking a qualified candidate with
3-5 years of experience to fill one full time position with our Philadelphia-area based firm.
Responsibilities may include conducting condition assessments, research, field investigation and
testing, treatment design and implementation, and report writing, as well as project management.
Qualifications for this position include a Master of Science degree in Historic Preservation from
an accredited graduate program.  Strong analytical skills, flexibility and resourcefulness are
necessary, as is proficiency in standard software including Microsoft Office Suite. Strong graphic
skills also preferred, including proficiency in design software such as Adobe Photoshop, Sketchup
and AutoCAD, or equivalent. Ability to work at heights (i.e. scaffolding and high-reach) is
required. The Conservator is expected to work independently and as a team member; and must display
both excellent hand skills and strong communication skills.  Travel is required.
Kreilick Conservation, LLC offers a salary/benefits package commensurate with experience and
skill level.  Kreilick Conservation, LLC is an Equal Opportunity Employer.

Interested candidates should submit a cover letter, resume, writing sample, and contact information for three professional references to:
T. Scott Kreilick
Kreilick Conservation, LLC
519 Toll Road
Oreland, PA  19075
skreilick@kreilickconservation.com

One of the best things to come from the “Monuments Men” movie

(I apologize for the lateness of this post. Sometimes life gets in the way of blogging.)
In the special “Museums” supplement to the March 20, 2014 issue of The New York Times, there was an article by Carol Kino titled “Monuments Man in War, Conservationist in Peace”. Leaving aside the grating use of the word “conservationist” instead of “conservator”, this is a brief but well-researched(thanks to consultations with Francesca Bewer, Joyce Stoner, Sarah Staniforth, and Jerry Podany ) look at George Stout’s life and work. Presenting the real Stout to thousands of readers, this article may be one of the best things to come as a result of the “Monuments Men” movie

Japanese television documentary features Nishio Conservation Studio

Nishio Conservation Studio staff
Nishio Conservation Studio staff, from their website

Yoshi Nishio, Kyoichi Itoh and their conservation work at The Nishio Conservation Studio were featured in a one-hour TV documentary series, broadcast on the WOWOW Cable Channel (a channel similar to PBS in the US) in Japan on March 28th and 30th, and April 7. The documentary highlights technical aspects of Asian Painting Conservation, including the type of materials used, and how Asian Paintings are conserved using traditional techniques with a modern scientific approach at NCS. The program also showed how those Japanese paintings came to the US, as well as a feature on Yoshi Nishio as an artist, educator, musician and film maker. The documentary includes location footage of the Decatur House/White House Collection, Johns Hopkins Library, North East Document Conservation Center, and interviews with their conservators. This is the second time the Nishio Conservation Studio was featured on television in Japan. These broadcast programs increase public awareness of the importance of conservation. Numerous Japanese corporations support conservation outside of Japan. The video will be available on Youtube with English subtitles later this year.
–Submitted by Yoshi Nishio